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College Football Awards Week 12 (2017) November 19, 2017

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(Note:  All rankings are current AP [week 12] unless otherwise noted.)

COACHES
Wish I were him: Paul Chryst, Wisconsin

Glad I’m not him: Jim Harbaugh, Michigan

Lucky guy: Kevin Sumlin, Texas A&M

Poor guy: Matt Luke, Ole Miss

Desperately seeking a wake-up call: Frank Solich, Ohio U

Desperately seeking a P.R. man: Dave Clawson, Wake Forest

Desperately seeking sunglasses and a fake beard: Kirk Ferenz, Iowa

Desperately seeking … anything:  Kilane Sitake, BYU

TEAMS
Thought you’d kick butt, you did: Louisville (defeated Syracuse 56-10)

Thought you’d kick butt, you didn’t: Mississippi State (defeated Arkansas 28-21)

Thought you’d get your butt kicked, you did: Illinois (lost to Ohio State 52-14)

Thought you’d get your butt kicked, you didn’t:  Navy (lost to No. 8 Notre Dame 24-17)

Thought you wouldn’t kick butt, you did:   Northwestern (defeated Minnesota 39-0)

Dang, they’re good: Ohio State

Dang, they’re bad:  South Alabama

Can’t Stand Prosperity:  Iowa

Did the season start?  Oklahoma State

Can the season end?  Tennessee

Can the season never endOklahoma

GAMES
Play this again:  Texas A&M 31, Ole Miss 24

Play this again, too:  Kansas State 45, No. 13 Oklahoma State 40

Never play this again: Florida State 77, Delaware State 6

What? Akron 37, Ohio U 34

Huh?  Wake Forest 30, No. 19 NC State 24

Are you kidding me??  Kansas State 45, No. 13 Oklahoma State 40

Oh – my – GodPurdue 24, Iowa 15

NEXT WEEK

(rankings are current AP (post-week 12, pre-week 13)
Ticket to die for:  No. 9 Ohio State @ Michigan  also:  No. 1 Alabama @ No. 6 Auburn

Best non-Power Five vs. Power Five  matchup: none

Best non-Power Five matchup: South Florida @ No. 15 UCF

Upset alert: No. 2 Clemson @ South Carolina  also:  No. 8 Notre Dame @ No. 22 Stanford

Must win: Indiana @ Purdue  also:  No. 9 Ohio State @ Michigan

Offensive explosion: No. 14 Washington State @ No. 18 Washington

Defensive struggle: Florida State @ Florida

Great game no one is talking about: Louisville @ Kentucky

Intriguing coaching matchup:  Scott Frost of Central Florida vs Charlie Strong of South Florida

Who’s bringing the body bags? Baylor @ No. 12 TCU

Why are they playing? Florida Atlantic @ Charlotte

Plenty of good seats remaining: UConn @ Cincinnati

They Shoot Horses, Don’t They?  Vanderbilt @ Tennessee

Week 12 Random Thoughts:

Today yielded no earth-shattering upsets.  How could it, with so many highly-ranked teams inexplicably engaged in body bag games so late in the year?  Nevertheless, some interesting upsets did ensue.  Pathetic Akron took down perennial MAC contender Ohio U, for example.  Kansas State defeated Oklahoma State on the road.  Unranked Wake Forest (now 7-4, surprisingly) upset No. 19 NC State, putting a blemish on an otherwise impressive year for the Wolfpack.  Even more amazingly, Purdue went on the road to play Iowa, a game where nobody, least of all yours truly, gave them a chance to win, and yet they did anyhow.  Don’t ask how the same team that embarrassed Ohio State by the worst margin in more than two decades could lose two weeks later at home to a lesser team.  There is no rational explanation.

Texas earned a great win, on the road, over West Virginia.  Two weeks ago, the Longhorns gave a pitiful offensive performance against TCU, and offered only a middling performance in their win over Kansas last week.  Naturally, this turn of events gave the Longhorn faithful cause for concern.  Whether these concerns are no longer valid remains to be seen.  But adjustments were clearly made, to the point where Texas was able to win, convincingly, in a tough environment, against a favored team.  Looks like progress, and the Horns are now bowl-eligible to boot.  Next week they close the regular season at home against Texas Tech, which will be a decent test to see if they can maintain their current level of performance.

Remember my earlier speculation about Purdue’s bowl chances having evaporated?  Wad that thought up and toss it out the window.  Purdue’s surprising upset over Iowa – on the road, no less – has given their season a new life.  Don’t ask how this came to pass.  Be all that as it may, this upcoming week, both Purdue and in-state rival Indiana shall play each other for two things, not just one.  Not only will they play for the Old Oaken Bucket trophy, but also for bowl eligibility.  No telling the last time the stakes were that high for the two teams.

Every season, there is always a surprise or two.  One such this year is Central Florida, who currently undefeated and ranked first in the All-American Conference East Division.  At a current rank of no. 15, head coach Scott Frost seems to know what he is doing.  This is the same Scott Frost who was the capable, tough, dependable quarterback who led Nebraska to a share of the national title with Michigan in the 1997 season.  After several years as a back-up QB in the NFL, he gradually worked his way up the ranks in coaching.  With a relatively easy schedule remaining, the Golden Knights could remain undefeated going into the ultimate conference showdown at season’s end.  Then, they face 9-1 South Florida, led by Coach Charlie Strong.  Surely that is to be one of the most intriguing of coaching matchups of the year!

Shout-out to Notre Dame for wearing very cool-looking, throwback-inspired uniforms during their game against Navy.  I sincerely hope that more teams with gold in their school colors have the good sense to copy those nice-looking gold pants that the Irish wore this week.

Just several weeks earlier, Louisville could not beat Wake Forest or Boston College.  Now, they seem to have turned things around.  Their 56-10 walloping of Syracuse is a sure sign the Cardinals are playing back to form, and are doing so just at the right time, as they take on in-state rival Kentucky this upcoming week.

UCLA just fired Jim Mora, Jr.  Ironically, the Bruins lost last night to cross-town rival USC by a respectable margin, 28-23.  But the powers that be in Westwood clearly did not like the direction the program was headed.  Mora helped create high expectations for the Bruin faithful, but sadly failed to deliver (UCLA is now 5-6).  Then again, the school is only partially committed compared to USC, or to any other program that is determined to compete for a national title.  Firing the current head coach shall thus not solve this systemic problem.

With Wisconsin’s win over Michigan, the Badgers continue their undefeated streak and are on a certain course to represent the Western Division in the Big Ten championship.  All Ohio State has to do is beat Michigan this upcoming week for the rights to butt heads with the Badgers.  My scenario for the best possible playoff scenario thus continues, but more pratfalls remain.

The best game on Thanksgiving is not played in Detroit or Dallas.  No, rather it is usually the “Egg Bowl,” the annual Ole Miss vs. Mississippi State grudge-match that shall once again kickoff on the evening of the fourth Thursday in November.  Let us enjoy it, and God Bless America!

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Three Disney Cartoons from 1937 November 19, 2017

Posted by intellectualgridiron in History, Pop Culture.
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Before the year 2017 comes to a close, let us take the time to observe the 80th anniversary of three particular cartoons that Walt Disney produced.

One is “The Clock Cleaners,” a nice cartoon from 1937 starring Mickey Mouse, Donald Duck, and Goofy.  The title obviously tells us what the occupation is of the three protagonists.  The cartoon consists of the three involved in various perilous circumstances, often with slapstick results.  Especially funny is seeing Goofy getting clobbered by a mechanical mini-Statue of Liberty because he was between it and the bell the automaton was supposed to ring instead.  Classic.

There are two very inventive aspects to this cartoon.  One is the postering match Donald finds himself in with a large quill spring that has become undone and seems to have assumed a mind of its own.  This animated spring seems to be able to speak at one point.  The sounds it emits sound like speech, but very much processed through electric instruments.  This was no small feat of sound effects given that the recording industry was still decades away from synthesized sound.

The other inventive aspect to this cartoon is the feeling of height.  The three characters are all high aloft, washing the face and other parts of a clock at looks like Big Ben adorned with mechanized characters in statue form timed to strike a huge bell at given intervals.  It is not an animated film for the acrophobic.  Let’s us not get started on the lack of safety harnesses that would be prevalent at such a job site today.  Regardless, that Disney was able to achieve this sensation in audiences in that era of animation is nothing short of remarkable.

Just as remarkable is Disney’s Silly Symphony cartoon “The Old Mill”, released this month (November) in 1937.  By this time, Mickey and Donald were quickly growing in popularity, and as such, Walt Disney was not emphasizing the Silly Symphonies like he did earlier in that decade.  This one is typical of the later Silly Symphonies in that he used it to test advanced animation techniques.  It shows, and it delivers.

There is no dialogue at all in this animation.  Rather, it is a tone poem, using the music from the song “One Day When We Were Young” from the operetta “The Gypsy Baron” by Johann Strauss II.  What we see are a community of animals, living in and around an old abandoned mill.  We the audience are to observe how these animals deal with rapidly deteriorating conditions during a harsh summer thunderstorm.

The cartoon starts out on a pleasant note, with a summer sunset in the background as we are introduced to the animals living in the abandoned mill.  We see a pair of bluebirds at the bottom level with the mother of the two tending to a nest.  Further up we see a pair of doves, then an owl, a group of mice, and in the rafters, a colony of bats, who instinctively know that it’s time to wake up and leave for their nightly flight.

Outside, with the sun having completely set, we are treated to frogs in the nearby pond finding each other and building up to a serenade, supported by crickets in the nearby field.  All that ends once a stiff wind descends.  The frogs, instantly sensing the coming storm, quit the ribbiting and hop under a giant lily pad together to hunker down and ride out the storm.

Back inside the mill, the strong winds are about to wreak havoc on the inhabitants therein.  A single, deteriorated rope is all that holds back the entire mechanism from engaging.  The force of the wind becomes too much, the rope breaks, and the poor mother bird is in for a horrific ride going around repeatedly on a large gear wheel.  All that saves her from sudden death is that a gear tooth on the massive gear driving said wheel is missing.  Further up, we see the owl dealing with the movement of shafts, and later, with increased leaks in the roof as more shingles are blown off.  The doves and mice are left to ride out the storm together.

Soon, though, the violence of the storm is too much for the old, abandoned mill.  The denouement is reached when a lightning bolt causes a mill fan blade to break, causing things to come to a sudden halt.  At the same time, collateral damage causes the whole structure to sag, creating a “new normal” for the animal inhabitants.  But at least the mechanical workings and resultant havoc have ceased, and the audience feels a sense of relief in the process.  The storm eventually passes, as do the clouds.  At dawn, the bats return to their rafter domicile, and the bluebird parents bring more worms to their nest, as the eggs have now hatched.  It’s a new day.

The true beauty of this animated short is in the details.  Walt Disney used his multiplane camera to the utmost, creating an incredibly realistic sense of depth.  One of the first things we the audience see at the beginning of the cartoon is a spider web, with all its strands realistically shimmering in the twilight.  The textured details of the exterior of the mill are also works of art.  One can practically feel the texture of the aged timber, inside and out, battered by the elements and the wooden shingles that are torn off the roof during the height of the storm.  The mill’s dithering reflection on the pond is also worth much merit, and even the glow in the eyes of the nocturnal animals lend all the more touches of realism that Disney strove so hard to achieve.

Moreover, the musical effects are incredibly inventive.  The use of wind passing through old, decaying shrubbery and bending stalks to convey expressive sounds from woodwinds showed impressive musical creativity.  That was but one element of timing used to produce certain dramatic and emotional effects.  It was beyond fitting and proper that the U.S. Library of Congress selected this film for preservation in the National Film Registry, finding it “culturally, historically, or aesthetically significant.” Can’t it be all of the above?

The third cartoon worth exploring is  “Lonesome Ghosts”.  Ostensibly a Mickey Mouse cartoon, in reality it also features Donald and Goofy.  It is arguably the most famous cartoon from 1937, and deservedly so.  The three this time are teamed up as Ajax Ghost Exterminators.  Not exactly in a booming business, they enthusiastically embrace the hire to drive out four ghosts who hang out in a decrepit, abandoned mansion.  Little do these “exterminators” know that they were “hired” by the ghosts themselves.

Indeed, the ghosts in question are plain bored.  Having chased the living far away from the house already, they want to lure these supposed exterminators into the haunted house for their own personal amusement.  Once Mickey, Donald, and Goofy arrive, these ghosts pull off a number of pranks on them.  Slapstick and hilarity inevitably ensue.

One innovative aspect of this cartoon is the portrayal of ghosts.  Instead of the traditional portrayal of ghosts as spooky, ethereal spirits, these four are portrayed with many anthropomorphic qualities, albeit in cartoon, caricature form (all the better for the humor of the cartoon).  Complete with very human vices and habits (e.g., cigar-smoking, idly playing cards, improper grammar), all of them engage in fashion satire by wearing derby hats, something that had fallen out of favor for roughly 15 years by that time.  The irony comes with their last, biggest prank on the humorously beleaguered trio.  This prank culminates in them crashing into a wall of the basement, causing them first to be covered in molasses, then immediately thereafter by flour.  The immediate visual effect – abetted by the heroes’ struggle to free themselves from the mess – causes the unsuspecting poltergeists to recoil in horror at the impression that they have stumbled upon real ghosts.  Without delay, and with deliciously ironic horror, they find the quickest route out of the dilapidated house, crashing through everything in their path like bulls through a china shop.  They even crash through windows in the desperate haste to flee.  The last thing we see of these poltergeist pranksters is their footprints in the snow, made in real time.  Mickey, Donald, and Goofy thus savor the moment of switching from being the victims of their pranks to being able to live up to the title of their occupations.

Another innovative aspect of this animated short is the subtle, cultural references in the ghosts’ pranks.  Their mid-story march includes waving pajamas on a cane as if it were a flag, while the remaining three march behind playing drum and fife, to the strains of the popular Revolutionary War melody “The Girl I Left Behind Me” in an atonal, minor key.  Anybody with a grasp American history would quickly appreciate the satire therein.  Immediately, the ghosts follow up with a mocking dance line that hints at that of a turn-of-the-century minstrel show.  Goofy’s mirror scene with one of the ghosts wonderfully echos the Marx Brothers scene from “Duck Soup” (1933) that clearly inspired this series of gags.

Perhaps the biggest irony of all is the cartoon’s release date.  The theme of the cartoon is perfect for Halloween, yet it was released in theaters on Christmas Eve of 1937, just three days after the general release of Disney’s legendary, ground-breaking, and otherwise pioneering “Snow White and the Seven Dwarfs”.  The year 1937 would thus prove to be a very fecund one indeed for Walt Disney.