America’s Greatest Music: The Man/Gal That Got Away November 14, 2013
Posted by intellectualgridiron in Pop Culture.Tags: A Star Is Born, album, Capitol Records, Frank Sinatra, golden age, Harold Arlen, In The Wee Small Hours of the Morning, Ira Gershwin, Judy Garland, Silver Age, The Gal That Got Away, The Man That Got Away, This Is Sinatra
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This tune is something of a break from most American pop standards spotlighted within this series of blog entries in that it is not from the Golden Age of the Great American Songbook (ca. 1920-1945). Nevertheless, it quickly merited a place in the aforementioned Songbook because of its eloquent lyrics that easily compare to those of said Golden Age. The viewing public first heard this from the hit 1954 film “A Star Is Born,” and was broken by none other than Judy Garland. The fact that is was written by Harold Arlen (music) and Ira Gershwin (lyrics) certainly does not hurt, and indeed, accredits the song all the more (they being two songwriting veterans whose penmanship contributed plenty to America’s Greatest Music)!
What is interesting is that the title must be slightly modified depending on whether the person that is singing this is male for female. When Judy Garland broke the tune, the title was “The Man That Got Away”. Not so with Frank Sinatra, who recorded his own version on the Capitol label shortly after the song became a hit off the silver screen. It could not have been recorded any later than 1955, for that was the year that the album “This is Sinatra” was released. Interesting side-note: “This is Sinatra” was no concept album, unlike his “In The Wee Small Hours Of The Morning” album from the previous year. “This is…” was merely a compilation of hit singles he had over 1953 and ’54, not that such a distinction should detract from the collection of masterworks found in one album!
For my money, Sinatra’s version is the definitive one, though that ought not to detract from Judy Garland’s heartfelt rendition. Whichever your preference may be, few songs better personify the feeling one experiences when the person-of-the-opposite-sex that they thought was “The One” for them has gotten away from them. That alone should be reason enough why this song belongs in the Great American Songbook, Silver Age or no.
America’s Greatest Music: You’re a Sweet Little Headache September 12, 2013
Posted by intellectualgridiron in Pop Culture.Tags: 1938, 75, American, Artie Shaw, Benny Goodman, big band, Bing Crosby, Cole Porter, diamond anniversary, Disney, golden age, Helen Forrest, Indiana Jones, Irving Berlin, Last Crusade, Martha Tilton, pop culture, RCA, standard, swing era, The Rocketeer, You're a Sweet Little Headache
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In a slight change of pace, this particular tune does not merit itself into the Great American Songbook. Nevertheless, it is a lovely little ditty, one that a few bands recorded during the Swing Era. The main reason we highlight this tune right now is because it was recorded on this day (Sept. 12) 75 years ago.
One thing is for certain, and that is that Benny Goodman’s “sound” certainly did the tune justice. An uptempo “businessman’s bounce” — something at which Benny’s band excelled — this record is also a good example of the lilting tone effect heard in Goodman’s woodwind section, something he practically perfected that year.
While Benny Goodman did not have a monopoly on this song, his is arguably the definitive version, what with his aforementioned sound, combined with his gutsy style of play. Martha Tilton’s vocals make for a very nice addition, too. With all that said, other prominent recording stars took their stab at this song around the same time, including RCA stablemate Artie Shaw (who recorded it with Helen Forrest singing the lyrics that same year [1938])*, and even Bing Crosby lent his vocal talents to the ditty in question the following year.
A more modern pop cultural reference to this recording can be heard in the ever-popular film “Indiana Jones and the Last Crusade” during the apartment scene in Venice, where one can hear the Elsa Schneider character play the tune on an acoustic phonograph (making the recording sound 10-15 years older than it actually was!).
So while the lyrics do not rate the song itself as highly as a good Cole Porter or Irving Berlin standard, it nevertheless merits our attention as a solid record during the golden age of American popular culture — enjoy!
*The Artie Shaw version one can briefly heard in the very underrated 1991 Disney Film “The Rocketeer,” which also takes place in 1938.