America’s Greatest Music, entry 08-06-13 August 6, 2013

Yes, no doubt many readers are thinking that of all the outstanding Benny Goodman records that the King of Swing cut in his prime years, I chose “Thanks for the Memory” as the first to highlight on my blog.  Suffice it to say, I have my [undisclosed] reasons.  Adding further irony to the situation is that Goodman’s take on the tune is not considered its definitive version — Bob Hope is commonly thought to ‘own’ the song, along with Shirley Ross.  The two did render, perhaps, the definitive version of the song, and is no doubt closest to the original intent of the songwriters and of the storyline.

What is interesting is the contrast in tones that the two renditions set.  Whereas Hope and Ross version strike a very poignant chord of a long-time couple now splitting up, and they reminisce together right before going their separate ways, the Goodman version is far more upbeat.  Withholding the later verses about the lamentation of what has come to an end, Martha Tilton’s vocal talent instead concentrates on the fond memory of good times of two apparent travel companions.  All this is to say nothing of the contrast in key and tempo.  The Hope and Ross version has a strong tinge of melancholy and poignancy throughout the song, making you feel it, and feel for the soon-to-be-ex-couple.  All well and good, but that is far from Goodman’s style; thus, the song — recorded on Dec. 2, 1937 — is arranged in typical “businessman’s bounce” fashion, as only the King could deliver.

Moreover, this version does a better job of celebrating those ultra-special moments with very special people.

To all those with whom I’ve had special moments over the years — particularly this past weekend — thanks, for the memory.